I first
read Jeffrey Deboo's "Nazism, Racism and Satanism" in The Black Flame
(Vol.3/Num.1 & 2), forum of the CHURCH OF SATAN. Since then, it has been
reprinted in other Satanic forums more often than any other article which I can
recall. Deboo is editing his own magazine - Dark Reflections - which he
advertises as "Satanism without Fascist/racist/authoritarian
nonsense."
Despite his
anti-Fascist, libertarian obsession, Deboo manages to hang on to the coat-tails
of the CHURCH OF SATAN, while declaring himself to be "independent",
although CHURCH OF SATAN Magister Peter Gilmore has written in The Black Flame
(Vol.4/Num.1 & 2):
"In as
much as Fascism stands for an embracing of the Natural Order and a rejection of
"anything goes" attitudes that have hindered our society,
particularly since the 1960's, then Fascists we are."
CHURCH OF
SATAN High Priest Anton La Vey has himself stated in The Black Flame
(Vol.4/Num.3 & 4):
"If a
neo-Fascist look - or outlook - makes for men who look like men and women who
look like women, I am all for it."
Turning to
Deboo's anti-Fascist epistle, he begins by quoting Mein Kampf, where Hitler
states that the creation of a culture is predicated on the willingness of
individuals to subordinate their selfish tendencies to the wider interests of
the Volkish community.
Deboo's
"Satanism" is the type of "Hyper-individualism" Hitler
condemns as having been a weakening factor in Germany during the Weimar regime.
Deboo states that Hitler recognized that the masses were sheeplike - but rather
than deploring this, he applauded it...
But what is
the use of deploring facts, rather than recognizing them when making State
policy? It is Communism that tried to overcome nature, including human nature.
Is not Satanism supposed to be the "carnal doctrine", recognizing the
laws of nature (as Fascism did) rather than seeking to negate them with dogma?
What of man as "just another animal", as La Vey put it?
Recognition
of the herdlike nature of man is just a realization that man is tribal like
other species, and has that "life collective" (as Friedrich Nietzsche
put it) within, its natural outstanding leaders, who must necessarily be
individuals themselves.
National-Socialism
sought to harness the outstanding individual to the service of the Volk community
(tribe), just as the best is selected in a herd to lead, rather than to let the
outstanding individual waste and rot as democratic societies do.
To quote
Hitler:
"The
progress and culture of humanity are not a product of the majority, but rest
exclusively on the genius and energy of the personality."
And indeed,
it is the rootlessness of America which has caused its great artists either to
exile themselves from the cultural sewer of America, or to die in rejection.
While National-Socialist Germany was patronizing its great artists, T.S.Eliot,
Ezra Pound, Hemingway and Scott Fitzgerald left those sterile shores, the
latter returning to die of alcoholic poisoning. Other literary figures such as
Hart Crane and Thomas Heggen committed suicide before their prime. Pound was
caged in Italy then returned to America to be committed in a lunatic asylum for
opposing the Roosevelt war-mongering regime, and denied literary honours on
political grounds solely.
Yet Deboo
still pontificates about how National-Socialist Germany killed or exiled its
cultural elite. But who is he referring to? A bunch of Dadaist dabblers or some
profit-driven pornographers?
Deboo has
visions (or nightmares?) of Hitler as "the jackbooted pontiff whose
mezmerizing voice holds his flock in his thrall" with "no La Vey
challenging each man to live for himself..." Yet what La Vey writes of is
of the Satanist coming forth in splendour "through his Satanic might"
proudly proclaiming: "I am a Satanist. Bow down, for I am the highest
embodiment of human life!" in The Satanic Bible.
Deboo then
condemns racism in typical libertarian terms as a collectivism that confers
automatic superiority or inferiority on an individual according to his race, regardless
of his actual ability. But it is precisely the recognition of innate
differences - not only between races but within races - that is the basis of
National-Socialism. However, the National-Socialist regime saw as its duty the
elevation of the humblest citizen to the highest possible cultural level. It
also recognized that one cannot appreciate culture too well with an empty
stomach, a destitute family and no secure income. Hence the pioneering social
and economic reforms. This cultural elevation it set about to achieve by
providing subsidized excursions to the humblest worker who was given
opportunities to appreciate his nation's culture which had formerly been
reserved for the wealthier classes. What do you think "Strength through
Joy" was, Deboo? Compulsory weight-lifting classes?
Deboo
illustrates his point:
"Indeed,
Hitler's first followers, his Brownshirts, were recruited from the trash of
Germany, the failures and the brawlers of the streets who resented the creative
and successful people in their own country."
One wonders
what episode of Hogan's Heroes Deboo has been watching! These
"brownshirted scum" were for the most part war-veterans, many of whom
had their livelihoods destroyed by the disastrous Weimar regime and the
Versailles Diktat and who fought back rather than wimper as Deboo would prefer.
Deboo next
compares National-Socialism with Medieval Christianity, both being held as
"conformist" ideologies which killed or exiled "the most
creative and independent minds". "Nazism was a revolt of the
street-trash which wiped out or drove away the country's true elite", we
are reminded again.
No, Deboo,
Communism was a revolt of the street-trash, against which the Brownshirts laid
down their lives fighting.
The
National-Socialist State instituted a meritocracy based on talent rather than
on the selection of rulers by head-counting; as in democracy. The Cabinet
included such people as Dr. Walter Darré, minister of agriculture, whose advice
as an agricultural expert had been widely sought after by European governments,
Dr. Wilhelm Frick, minister of the interior, widely known throughout Europe as
a patron of chamber music (yes, the street-trash!), Bernard Rust, minister of
science and education, who had twice turned down an offer of professorship in
favour of a more humble teaching position which he considered a more practical
way to help German youth.
Indeed,
looking at the 1938 Reich Cabinet, out of its twenty members, nine held
doctorates, with others such as Rudolf Hess holding degrees and diplomas of
some type.
It was
precisely because Germany was reconstructing its cultural life that some of the
greatest intellectuals and artists in Europe backed her. They saw the
possibilities of a general European cultural renaissance.
Arno
Breker's sculptures, and other neo-classical art and architecture adorned
public buildings and parks. Intellectuals of lasting impact such as Heidegger,
and writers of the stature of Pound and Knut Hamsen declared themselves
supporters of the regime.
The
democrats' answer was to bomb a defenceless open city - Dresden - primarily
because it was a cultural centre; and to consign Europe's cultural elite to
death, to jail, or to clean the streets as part of "denazification".
And Breker's sculptures were sledgehammered by American G.I.'s.
The
significance of National-Socialism for Satanists is more specifically that it
tapped the shadow of the repressed European collective unconscious, releasing a
great Dionysian or Wotanic creative urge, viewed favourably by Carl Jung.
Deboo goes
on praising La Vey for having always rejected "with contempt"
overtures from "neo-Nazis", thereby defending the "integrity of
the Satanic philosophy". But what can we make of the association of Boyd
Rice and Michael Moynihan (the former, if not the latter, belonging to the
priesthood of the CHURCH OF SATAN) with the CHURCH OF SATAN? Or of La Vey's
gift of an autographed copy of The Satanic Bible to National-Socialist
ideologue James Mason, whose book Siege was heavily advertised in The Black Flame?
Deboo
finally ends with a warning that any association with Nazism "will derail
the Satanist movement into the junkyard of failed ideas and missed
opportunities". Yet his own ideology, somehow masquerading as
"Satanism", is just a rehash of the Nineteenth Century
whig-liberalism with that dash of inanity that is typical of the Homo
Americanus. Deboo, far from being a "Satanic adversary" of entrenched
orthodoxy is just a low-grade promoter of the status-quo, an echoer of
fifty-year-old System clichés against one of the most heretical movements in
history.
This
article appeared in The Burning Ground, Volume 1, Issue 4, 1994.
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